Black Forest Reproductions & Novelty Clocks
Black Forest Reproductions & Novelty Clocks
Black Forest Wall Clock Reproductions
The following clocks are reproductions of Black Forest clocks made in Germany. All of these great models have a 30 day satisfaction guarantee and 2 year warranty.

These clocks are hand crafted and no two clocks are the same. They may vary slightly from the photograph but the basic style will remain the same. Prices, sizes, colors and styles are subject to change without notice.

Shipping may vary, depending on dimensional weight for air shipments.

!
Romba & Haas
7640
Black Forest Rock Clock, Wooden Gears

Rock Clock, Black Forest

Black Forest Rock Clock
15" H x 7" W

Reproduction of a clock made around 1640. The weight is a genuine Black Forest rock. The gears and hour hand are made of wood. The pendulum is on top and the time can be adjusted by moving the weights inward or outward from the pivot point. This clock was the first clock that an average wage earning person of 1640 could afford. Weights may vary from picture as shown. 2 year warranty.
Romba & Haas
7401K
Intricate Fretwork

Bamberg Wall Clock, Fretwork

8 Day Key-wind movement with hour and half-hour strike on 2 brass bells. 19" H x 9" W x 6" D

Intricately cut fretwork case. Made in the Black Forest by award-winning Ingolf Haas. Enamel dial, Breguet-style hands. Hour and half-hour strike on 2 brass bells. Made by Rombach & Haas.
Sternreiter
AD 000 365 07
Astronomical Device

Ferguson's Orrery Astonomical Device

Ferguson's Orrery Astonomical Device, Mahogany and Brass construction. Made in the USA.
  • Made in the U.S.A.
  • Solid brass, Solid Mahogany
  • Premier construction
  • Tellurian
  • Commissioned by Sternreiter

    This astronomical device and mechanical curiosities is commissioned by Sternreiter and made entirely in the U.S.A. by American craftsmen. This beautiful piece is the first collectible example. The solid brass mechanism sits proudly on a fine piece of solid Mahogany. Move the lever to the correct date and find the correct position of the earth on its axis, in relation to the sun and moon.

    This orrery is unusual because it illustrates the movement of the nodes and apogee of the Moon’s orbit, instead of the Moon’s position. The Moon’s orbit is elliptical, with an eccentricity of about 5.49%. The difference in the perceived size of the Moon between the perigee (the closest approach to the Earth) and apogee (the farthest point from the Earth) is about 12%. People noticed the difference over the years because the Moon is about 30% brighter when closer to the Earth. The precession of the apogee around the Earth is just less than nine years. The pointer fixed to the large bottom plate represents the position of the apogee of the Moon’s orbit.

    The Moon’s orbit is inclined 5.14° from the plane of the ecliptic (the plane of the Earth’s orbit around the Sun). The points where the Moon’s orbit intersects the ecliptic are called the nodes. The conditions for an eclipse require that a node intersect the line of light from the Sun to the Earth and that the Moon be present at the node at the same time. These nodes recess around the Earth with a period of about 18-1/2 years. The sloped ring on the orrery represents the Moon’s orbit.

    The Earth’s axis is inclined 23.5° with respect to the ecliptic and remains fixed in that orientation with respect to the zodiac. The orrery illustrates this with a zodiac inscribed on the ring representing the plane of the ecliptic. The day/night indicator mounted to the frame facilitates conversations about the different lengths of days and nights throughout the year.

    The calendar ring on the base illustrates both the conventional 365-day calendar and the western zodiac with 360 divisions. Ferguson’s 1764 engraving shows the effect of Britain’s adoption of the Gregorian calendar in 1752,

    Ferguson’s original model does not survive, but there is much information about it in Ferguson’s writings.

    The Paradox:

    A simplified version of the paradox reads:
    “Three wheels on the same axis mesh with one thick wheel. Turn the thick wheel. One of the thin wheels goes forward, one backwards, and one goes no way at all!”

    What Ferguson was really doing with his Mechanical Paradox was emphasizing the importance of defining “rotation” with respect to a fixed frame of reference.

    The “paradox” arises when in a train of gears – A, B, and C – gear A is fixed and gears B and C have epicyclic motion around it. Gear A is the gear under the sun and is fixed to the base. When all three gears have the same number of teeth, gear B rotates twice for each rotation and gear C maintains its orientation to a fixed frame of reference. That keeps the earth’s axis pointed in the same direction. When gear C has fewer teeth than gears A and B, it turns in the direction opposite the mechanism, in this case illustrating the regression of the nodes. When gear C has a few more teeth, it will slowly turn in the same direction as that of the mechanism, illustrating the advancement of the apogee of the Moon’s orbit.

    Ferguson:

    James Ferguson (1710-1776) was the self-educated son of a Scottish crofter. At age seven he learned to read by listening to his father teach his elder brother to read the catechism. He developed an early aptitude for mechanics. The story is told of young Ferguson’s fascination with mechanics being inspired by watching his father use a large lever to adjust the roofline of their house. By the age of ten, he was studying the stars while tending sheep and making models of spinning wheels and mills. He later built a wooden clock and a watch with whalebone springs. His education was enhanced by several servant positions with people who recognized his talents and contributed to his interests. One of his servant positions was with a neighbor who engaged him to clean clocks.

    Moving to Edinburgh in 1734, Ferguson began to support himself as a limner (painting miniatures). He moved to Inverness, where he published his Astronomical Rotula for showing the motions of the planets, places of the sun and moon, etc. The (Rotula is similar to an ephemeris, but uses circular rotating volvelles.) He built his first orrery in 1742, and then made his final move to London in 1743. By 1748 Ferguson began to give lectures on scientific subjects, and his apparatus facilitated these lectures significantly. In 1763 Ferguson became a Fellow of the Royal Society of London. Ferguson’s famous Select Mechanical Exercises, with a Short Account of the Life of the Author was published in 1773. Besides being one of the first popularisers of science, his influence extended considerably, with Thomas Paine and William Herschel reportedly studying his books. George III, while Prince of Wales, attended Ferguson’s lectures and rewarded him with an annual pension of £50 from the Privy Purse until his death in 1776. He designed orreries and a number of clocks. He knew Benjamin Franklin and apparently inspired Franklin to design his famous 3-wheeled clock, later designing his own versions.

  • Romba & Haas
    7273
    Shield Clock

    Shield Clock

    Shield Wall Clock
    9" H x 6" W x 4" D
    Eight-day, weight driven movement Hour and half-hour strike on coil gong Hand-painted with incredible detail Antique-brass weights, pendulum and hands Reproduction circa 1800 Another fine clock hand-painted by the award winning Conny Haas of Rombach und Haas Made by Romba und Haas of the Black Forest 2 Year warranty
    Romba & Haas
    3406
    Bahnhaulse Reproduction

    Banhausle Reproduction Cuckoo Clock

    Reproduction of Banhausle (Railway Station) Cuckoo Clock.
    19" H x 14" W
    Reproduction of Bahnhausle (Railway Station), cuckoo clock. German 8 Day movement with gong and cuckoo on the hour and half-hour. Antique stain, night shut-off and 2 year warranty. Made by Rombach & Haas.
    Romba & Haas
    7378
    Animated Bell-ringer

    Kapuziner Shield Clock with Bell-ringer

    Weight-driven waag, hand-painted shield clock with animated bell-ringer. 31" H x 11" W x 4" D

    8 Day weight driven movement. Hour and half-hour strike on coil gong. Individually hand-painted with incredible detail, each clock is different. Antique brass weights, pendulum and hands. Animated Monk actually pulls bell for hour and half-hour strike. Another fine clock hand-painted by the award-winning Conny Haas of Rombach und Haas. 2 Year Warranty.
    Romba & Haas
    3402
    Black Forest Reproduction

    Shield Cuckoo Clock

    Hand-painted shield cuckoo clock with glass bell and large bird. 18" H x 9" W

    Hand-painted shield cuckoo clock with glass bell and cuckoo on the hour and half-hour. 8 Day German movement. Night shut-off and 2 year warranty. Made by Rombach & Haas.

    Romba & Haas
    3400
    Large Bird

    Cuckoo Clock, Baroque

    Baroque style cuckoo clock with hour and half-hour strike, large bird. 13" H x 7.5" W

    Baroque style cuckoo clock with large bird. Hour and half-hour stirke on glass bell. 8 Day movement
    2 year warranty. Made by Rombach & Haas.
    Romba & Haas
    7641
    Black Forest Reproduction

    "All are Mine" Rock Clock

    "All Are Mine" Rock Clock with carved skeleton, 18" H x 5" W x 6" D

    In 1640 the "Waaguhr" was the first mechanical clock that was affordable by the new middle class in Europe. Its simple design allowed for only one hand indicating the hours. The average person of the Seventeenth Century measured time with only three times of day:sunrise, high noon, and sunset.

    This clock tells a chilling story of the medieval mindset. The hand painted and hand carved figures depict the rich, the pious, the young, the old, and royalty. Death stands above them all swinging his scythe.

    The mechanism is made of wood and is powered by a roughly hewn rock from the Black Forest.

    "All are Mine" is by Rombach und Haas.